Appreciation, History and a Place in Contemporary Photography
Foto Relevance is committed to expanding appreciation of contemporary photography-based art. Periodically, artists and genres of photography will be selected for commentary, adding framework and historical context to selected work. Your comments are welcome.
Aerial photography gives the art of the landscape image a very different perspective. Cameras were taken into the air in the earliest days of photography. “The first to successfully accomplish this feat was Gaspar Felix Tournachon or “Nadar” in 1858 when he photographed the houses of the French village of Petit-Becetre from a balloon tethered
Lori Vrba’s current work, “Assemblage”, revisits an important development in photography-based art. In the 1960s and 1970s, artists started to incorporate photography into works of art. Many of those artists did not start out as photographers, and many lacked any formal training in photography. Many were sculptors or painters. A self-taught photographer, Lori began showing
It was seeing Peter Brown’s image of Aquifer Lake that made me stop and want to write about landscapes in general, and Peter Brown’s work specifically. Much like his recollections of travel across the country in his youth, his photos reminded me of a lake near my house growing up where I swam during the
In the exhibition, “Found Unfound”, the artist, Keliy Anderson-Staley¹, invites a viewer to contrast what they see with her reasons for creating the images. Keliy is concise in what she reveals². “The impetus for this autobiographical installation was the recent discovery of my biological father, who I met for the first time last year. Until
Gayle combs the beaches and enjoys long walks to finds objects to “photograph”. Since early 2008 she has used a wet plate collodion photogram technique on metal and glass, a process developed in the early 1850’s. The “finds” from her walks are what she places on light-sensitized material which is then exposed to light to
Last Monday night I attended a lecture by Naoya Hatakeyama that impacted my thoughts on viewing a photograph. This lecture is on a new body of work on the aftermath of the tsunami that destroyed his home town, Rikuzentakata, Iwate Prefecture, Japan. I was previously familiar with Hatakeyama’s “Blast” series, which I like very much.