Appreciation, History and a Place in Contemporary Photography
Foto Relevance is committed to expanding appreciation of contemporary photography-based art. Periodically, artists and genres of photography will be selected for commentary, adding framework and historical context to selected work. Your comments are welcome.
Light is nothing to our eyes. We cannot see it unless there is darkness around us. Yet, light is everything. Most all visible things have some color which resonates from light. Light weighs nothing, yet it defines shape, appearance and gives objects the sensation of mass. Light in nature comes from the sun, which is
Photographers have always been interested in freezing a moment in time. Beaumont Newhall , in describing photography stated: “All good photography… holds a moment of time and a fraction of space forever; it reveals more than the eye can see; it discovers the world for us.” It’s a wonderful statement of what all photographers with
The etymology for the word “photography” comes from the Greek words for “drawing with light”. Cameraless photography is fundamental to the story about the creation of photographic images. The Houston Center for Photography’s (HCP) exhibit “The Surface of Things”, curated by Keliy Anderson-Staley, Assistant Professor of Photography and Digital Media at the University of Houston,
Paris Photo 2016, held in the Grand Palais, had more than 150 galleries representing approximately 3,300 photographers from around the world. The photography displayed included a mix of both vintage and contemporary works. Twenty-nine publishers/book dealers on photography were also on exhibit at Paris Photo. The vast majority of the dealers were from outside of
“Yet language is at best but a metaphor for what is experienced through vision” – James L. Enyeart Within the history of photography, multiple images have been combined to create a more flexible expression of what we see, with the thought that the combined presentation is a stronger metaphor for communication than each image separately.
“The painter who does not feel attuned to the aspirations of the masses-this man may not produce a work of art” – Diego Rivera The Russian-American photographer Vladimir Frumin has a unique and broad visual diversity in his images that are haunted by an intense interest in people on the fringes of society. Frumin’s work ranges